Sylvia Massy: Creative Approaches to Recording and Producing Music
This course dares you to “unlearn” everything you know about record making- to get out from behind the windshield, stick your head out the sunroof, and put the pedal to the metal! Based off of Recording Unhinged, the revolutionary book by multiple award-winning producer and engineer Sylvia Massy, this course guides you on how to discard fixed notions on how music should be recorded and encourages you to experiment as far as your imagination will take you. This course explores techniques that fall outside the norm, yielding emotionally powerful, incredibly personal, gut-wrenching and even scary recordings with Sylvia Massy herself, co-author Chris Johnson, and Berklee Online Instructors Chrissy Tignor and Loudon Stearns.
By the end of the course, you will be able to:
- approach music production in a non-traditional way
- master the main tools in a recording studio and re-learn their purpose
- invent new recording techniques and assess their musical usefulness
- create compelling recordings no matter what the situation
- effectively assess a recording and a performance
- effectively communicate with other producers, engineers and performers
- build unique sampled instruments from custom recordings
- build custom instruments from common objects
- build custom audio effects using common objects
Syllabus
Lesson 1 Alright, So What Are the Rules Here?
Lesson 2 Plan the Chaos
Lesson 3 Happy Trails to You
Lesson 4 Microphone Minimalism & Capturing the Space
Lesson 5 Release the Crickets
Lesson 6 Planes, Trains, and Audio Reels
Lesson 7 Production Approach
Lesson 8 Artist Engagement – Pushing Their Buttons
Lesson 9 Signal Flow Unhinged
Lesson 10 When Enough is Not Enough
Lesson 11 And Just The Right Amount of Too Much
Lesson 12 The Thrill of Victory, the Agony of Critique
Requirements
Prerequisites and Course-Specific Requirements
Completion of Audio Fundamentals for Recording and one of Ableton Live Fundamentals, Producing Music with Logic, Pro Tools 101, or Producing Music with Cubase or equivalent professional experience.
Students should be able to:
- Open their mind and a desire to experiment.
- Must schedule another artist to produce with in-person every week of the semester.
Required Textbook(s)
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